Skip to content
Home/ Muriel Cooper
Muriel Cooper

Muriel Cooper

No customer reviews yet ISBN 9780262036504 MIT Press

The career of the pioneering designer Muriel Cooper, whose work spanned media from printed book to software interface; generously illustrated in color.

Muriel Cooper (1925-1994) was the pioneering designer who created the iconic MIT Press colophon (or logo)--seven bars that represent the lowercase letters "mitp" as abstracted books on a shelf. She designed a modernist monument, the encyclopedic volume The Bauhaus (1969), and the graphically dazzling and controversial first edition of Learning from Las Vegas (1972). She used an offset press as an artistic tool, worked with a large-format Polaroid camera, and had an early vision of e-books. Cooper was the first design director of the MIT Press, the cofounder of the Visible Language Workshop at MIT, and the first woman to be granted tenure at MIT's Media Lab, where she developed software interfaces and taught a new generation of designers. She began her four-decade career at MIT by designing vibrant printed flyers for the Office of Publications; her final projects were digital. This lavishly illustrated volume documents Cooper's career in abundant detail, with prints, sketches, book covers, posters, mechanicals, student projects, and photographs, from her work in design, teaching, and research at MIT.

A humanist among scientists, Cooper embraced dynamism, simultaneity, transparency, and expressiveness across all the media she worked in. More than two decades after her career came to a premature end, Muriel Cooper's legacy is still unfolding. This beautiful slip-cased volume, designed by Yasuyo Iguchi, looks back at a body of work that is as contemporary now as it was when Cooper was experimenting with IBM Selectric typewriters. She designed design's future.

About the author

Product details

BrandMIT Press
Pub dateSep 22, 2017
ISBN-100262036509
ISBN-139780262036504
Pages240
LanguageEnglish
Dimensions14.6 × 10.4 × 1.2 in
Weight5 lb
Last updated 2026-03-18 04:11
$41.88 $60.00 30% off
You save $18.12 · list price $60.00
In stock soon — order now to reserve your copy
Delivery by Tuesday, September 8, 2026
Qty
Sign in to Add to Saved list
Free delivery on orders over $35.
15-day returns. Any reason.
Secure checkout. We never store card details.

Readers who bought this also bought

More from History & Criticism
See all
California Design, 1930-1965
<b>The first comprehensive examination of California's mid-century modern design, generously illustrated.</b><p>In 1951, designer Greta Magnusson Grossman observed that California design was "not a superimposed style, but an answer to present conditions.... It has developed out of our own preferences for living in a modern way." California design influenced the material culture of the entire country, in everything from architecture to fashion. This generously illustrated book, which accompanies a major exhibition at the Los Angeles County Museum of Art, is the first comprehensive examination of California's mid-century modern design. It begins by tracing the origins of a distinctively California modernism in the 1930s by such European émigrés as Richard Neutra, Rudolph Schindler, and Kem Weber&#x3b; it finds other specific design influences and innovations in solid-color commercial ceramics, inspirations from Mexico and Asia, new schools for design training, new concepts about leisure, and the conversion of wartime technologies to peacetime use (exemplified by Charles and Ray Eames's plywood and fiberglass furniture).</p><p>The heart of <i>California Design</i> is the modern California home, famously characterized by open plans conducive to outdoor living. The layouts of modernist homes by Pierre Koenig, Craig Ellwood, and Raphael Soriano, for example, were intended to blur the distinction between indoors and out. Homes were furnished with products from Heath Ceramics, Van Keppel-Green, and Architectural Pottery as well as other, previously unheralded companies and designers. Many objects were designed to be multifunctional: pool and patio furniture that was equally suitable indoors, lighting that was both task and ambient, bookshelves that served as room dividers, and bathing suits that would turn into ensembles appropriate for indoor entertainment.</p><p><i>California Design</i> includes 350 images, most in color, of furniture, ceramics, metalwork, architecture, graphic and industrial design, film, textiles, and fashion, and ten incisive essays that trace the rise of the California design aesthetic.</p><br>The first comprehensive examination of California's mid-century modern design, generously illustrated.<br>Wendy Kaplan is Department Head and Curator of Decorative Arts and Design at the Los Angeles County Museum of Art.<br>This book beautifully documents how climate, immigration, and industry influenced California's modern design aesthetic.--<i>Publishers Weekly</i>--<br><p>...[F]ascinating stuff, rich with detail and new discoveries.</p>--<i>NZ House and Garden</i>--<br>
$65.95