Insurgent Truth

When Chelsea Manning was arrested in May 2010 for leaking massive amounts of classified Army and diplomatic documents to WikiLeaks, she was almost immediately profiled by the mainstream press as a troubled person: someone who had experienced harassment due to her sexual orientation and gender
non-conformity, and who leaked documents not on behalf of the public good, but out of motives of personal revenge or, as suggested in the New York Times, "delusions of grandeur." Compared implicitly to Daniel Ellsberg's apparently selfless devotion to the truth and the public good, Manning comes up
short in these profiles--a failed whistleblower who deserves pity rather than political solidarity.

The first book-length theoretical treatment of Manning's actions, Insurgent Truth argues for seeing Manning's example differently: as an act of what the book terms "outsider truth-telling." Bringing Manning's truth-telling into conversation with democratic, feminist, and queer theory, the book
argues that outsider truth-tellers such as Manning tell or enact unsettling truths from a position of social illegibility. Challenging the social alignment of credibility with gendered, classed, and raced traits, outsider truth-tellers reveal oppression and violence that the dominant class would
otherwise not see, and disclose the possibility of a more egalitarian form of life. Read as outsider truth-telling, the book argues that Manning's acts were not aimed at curbing corporate or governmental bad acts, but instead at transforming public discourse and agency, and inciting a solidaristic
public. The book suggests that Manning's actions offer a productive example of democratic truth-telling for all of us.

Lida Maxwell develops this argument through an examination of Manning's prison writings, the lengthy chat logs between Manning and the hacker who eventually turned her in, various journalistic, artistic, and academic responses to Manning, and by comparing Manning's example and writings with the work
and actions of other outsider truth-tellers, including Cassandra, Virginia Woolf, Bayard Rustin, and Audre Lorde. Showing the shortcomings of existing approaches to truth and politics, Maxwell advances a new theoretical framework through which to understand truth-telling in politics: not only as a
practice of offering a pre-political common ground of "facts" to politics, but also as the practice of unsettling public discourse by revealing the oppression and domination that it often masks.

"This book is about Chelsea Manning's leaking of government documents. Manning told the truth about war and a social order sustained by it. Her truth-telling also revealed the complicity of public and private in casting her - a non-gender-conforming individual - as an improper truth-teller. And Manning's truth-telling unsettled hierarchies of truth-telling that prop up a discriminatory and often oppressive social order. I read Manning not as an isolated political actor, but instead as an outsider truth-teller within a cohort of outsider truth-tellers (such as Virginia Woolf, Bayard Rustin, Audre Lorde), whose practices are distinct yet connected, and whose significance becomes more apparent when read in conjunction with each other"--

"The book places Manning within a surprising but thoughtful lineage of historical "outsiders"� On the fiftieth anniversary of the Stonewall uprising last June, Manning...ended her message with the three words with which she hashtags her most optimistic, radical, and ferocious tweets: "We Got This."
Maxwell's reading of Manning's "We" as a collective of outsider truth-tellers, "creating new scenes of reality," is as apt as it is inspiring." -- Natasha Lennard, Bookforum

"At a time when the understandable response to Trump's post-truth regime is to call for a return to facts and reason, Maxwell resurrects an alternative archive of insurgent truth tellers, figures whose credibility can never be assumed, who understand that getting a hearing is as important as getting
it right-and that it may be twice as difficult. This is that rarest of books: of the moment and for the ages" -- Corey Robin, Brooklyn College and the CUNY Graduate Center

"Lida Maxell's Insurgent Truth is an extraordinary book, and timely, because it creatively and thoughtfully uses the example of Chelsea Manning to re-imagine 'the politics of truth.'" -- George Shulman, author of American Prophecy: Race and Redemption in American Political Culture

"Chelsea Manning is one of my sheroes, and Lida Maxwell does her justice in Insurgent Truth. She positions Manning, like Cassandra and Socrates before her, as on outsider who not only speaks an unwelcome truth, but who is an unwelcome messenger for bearing that truth. In doing so and being that,
Manning's truth-telling practice functions like an ancient oracle for our present day. Her truth-telling shatters everyday� common sense-regarding war, surveillance, technology, gender-and summons from it a new ethical ground from which to launch a�better world. The radical politics of truth Maxwell
so cogently elucidates are precisely those we need today, when "truth" itself is under assault" -- Susan Stryker, Founding Co-Editor, TSQ Transgender Studies Quarterly

"Lida Maxwell performs a public service by putting a name to, and insightfully analyzing, an all too common and deeply troubling phenomenon: individuals who do not fit the mold of white, cis-gendered, male authority figures are not recognized as neutral, credible sources when they expose systemic
injustice, no matter how significant their disclosures. By bringing 'outsider truth-telling' into focus through a close and creative reading of the heroic revelations of Chelsea Manning, Maxwell helps us better appreciate the fact that when people on the margins divulge important information, they
also contest the larger social and political structures that perpetuate secrecy and domination in the first place. This is an urgent, erudite, and inspiring book, and one that embodies the truth-telling that is its subject." -- Astra Taylor, author of Democracy May Not Exist, But We'll Miss It When
It's Gone