In the opening chapters of Beethoven's 32 Piano Sonatas, Gordon illuminates the essential historical context behind common performance problems, discussing Beethoven's own pianos and how they relate to compositional style and demands in the pieces, and addressing textual issues, performance
practices, and nuances of the composer's manuscript inscriptions. In outlining patterns of structure, sonority, keyboard technique, and emotional meaning evident across Beethoven's compositional development, Gordon provides important background and technical information key to understanding his
works in context. Part II of the book presents each sonata in an outline-chart format, giving the student and teacher ready access to essential information, interpretive choices, and technical challenges in the individual works, measure by measure, all in one handy reference source. In consideration
of the broad diversity of today's Beethoven interpreters, Gordon avoids one-size-fits-all solutions or giving undue weight to his own tastes and preferences. Instead, he puts the choices in the hands of the performers, enabling them to create their own personal relationship with the music and a more
powerful performance.
"The thirty-two piano sonatas of Ludwig van Beethoven comprise one of the most important parts of the piano literature, yet true mastery of these works can be elusive to even the most seasoned performer. With years of experience performing and teaching the literature and intimate knowledge of the works, their history and context, renowned pianist and pedagogue Stewart Gordon guides today's pianist performer through each of the thirty-two sonatas in stunning detail."--Page 4 of cover.
"Beethoven's 32 Piano Sonatas: A Handbook for Performers is an excellent reference book, which helps any reader to understand Beethoven's creative genius, his innovations during the time in which he lived, and unusual facets of his personal life and character. For serious piano students and
performers, Gordon's Handbook is an inspiration for teachers and performers to play more of Beethoven's sonatas and to have more knowledge about each one to play them better for an audience. It also helps students who hope to be performers. Kudos to Stewart Gordon for a book that deserves to be in
every library of musicians who love Beethoven and his compositions." --American Music Teacher