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This book is the first major study of French Caribbean literature in light of postcoloniality. Through readings of Aimé Césaire, Edouard Glissant, Maryse Condé, Baudelaire, Freud, and others, Jeannie Suk illuminates how debates about négritude, antillanité, and creolité contribute to paradoxes at the heart of postcolonial modes.