The authors bring two principal objectives to the enquiry. One is to explore how political power, monumental architecture, and collective memory interacted with one another in the period under study. The study's authors - one trained in history, the other in art history and archaeology - argue for systematically integrating the methodologies of history, art history, and archaeology in attempts to reconstruct the past. The study's other aim is to radically rethink the usefulness of Hindu - Muslim relations as the master key by which to interpret this period of South Asian history, and to propose instead a model informed by Sanskrit and the Persian literary traditions.