"A rarity within its genre--an art-historical analysis of iconography which is itself iconoclastic. . . . One of the most intellectually exciting and historically grounded interpretations of Christian iconography." --Graham Howes, "Times Literary Supplement"
" "Likeness and Presence" offers the best source to survey the facts of what European Christians put in their churches. . . . An impressively detailed contextual analysis of medieval objects." --Robin Cormack, "New York Times Book Review"
"I cannot begin to describe the richness or the imaginative grandeur of Hans Belting's book. . . . It is a work that anyone interested in art, or in the history of thought about art, should regard as urgent reading. It is a tremendous achievement."--Arthur C. Danto, "New Republic"