Gatling demonstrates how Sufis transcend the oppressive religious politics of contemporary Tajikistan by using these forms to inhabit multiple times: the paradoxical present, the Persian sacred past, and the Soviet era. In a world consumed with the supposed political dangers of Islam, Gatling shows the intricate, ground-level ways that Muslim expressive culture intersects with authoritarian politics, not as artful forms of resistance but rather as a means to shape Sufi experiences of the present.