From Charlie Chaplin's
The Gold Rush to Quentin Tarantino's
Pulp Fiction, Gehring presents a compelling theory of the black comedy film genre. Placing the movies he discusses in a historical and literary context, Gehring explores the genre's obession with death and the characters' failure to be shocked by it. Movies discussed include:
Slaughterhouse Five,
Catch-2,
Clockwork Orange,
Harold and Maude,
Heathers, and
Natural Born Killers.