In this memoir, Lockwood draws upon his forty years in the newspaper industry as a reporter and as an editor, offering a unique glimpse into the world of newspaper cartoon strips. He details the production and promotion of countless comic strips, while also providing his own assessments of the most iconic cartoonists of the last half-century. The book
is filled with fascinating anecdotes about his relationships with some of America's greatest cartoonists and the syndicate reps who sold their cartoon strips. Peanuts, Pogo, and Hobbes uses the story of one man's obsession with comic book heroes to give voice to a larger narrative about comic strips, their creators, the newspaper industry, and the era of American history that encompassed them all.
George Lockwood, a child of the Great Depression, never lost his love for the newspaper's daily black-and-white strips and the color Sunday comic inserts. When he became a newspaper editor of the
Milwaukee Journal in the 1960s, one of his jobs was deciding which strips to add and drop. Because of that, he got to meet legendary comics artists like Walt Kelly (who wrote him into a strip by drawing his nick-name 'Ol' Journal George' on the side of Pogo's swamp rowboat), Al Capp, Milton Caniff, Bill Mauldin, Chester Gould, Charles Schultz, Garry Trudeau, and Bill Watterson. This book is his charmingly chatty 'comic strip memoir.'--Journal of American Culture
This entertaining and enlightening history of comics, from
The Yellow Kid to
Zits, is written by a former newspaper reporter and editor who witnessed the golden age first-hand. It is jam-packed with anecdotes about his career and provides a behind-the-scenes look at the business of syndication. George Lockwood has a unique appreciation of this great American art form.--Brian Walker, author of The Comics: The Complete Collection