The selection of works range from Frida Kahlo's confident self-representation to Gerhard Richter's blurred likeness; from Paul Cézanne's iconic tabletop arrangements to Jeff Koons' commodified objects; from Vincent van Gogh's roiling olive trees to Richard Long's land art, each demonstrating how modernism's radical new forms have continuously revitalized art history's conventional subjects. An introductory text reflects on how these artists both inherit and reject the traditions of their adopted genres, and three essays provide close readings of a key portrait (Henri de Toulouse Lautrec's "La Goulue at the Moulin Rouge"), still-life (Paul Cézanne's "Still Life with Ginger Jar," "Sugar Bowl" and "Oranges"), and landscape (Van Gogh's "The Olive Trees") from the dawn of modernism, and expand to consider subsequent works. Van Gogh, Dalí, and Beyond is published in conjunction with the second major exhibition The Museum of Modern Art is organizing for the Art Gallery of Western Australia, Perth.
a dazzling kaleidoscope... of personal conversations or outright arguments between tradition and innovation--Will Yeoman "Limelight "