Honey, our protagonist, is on the run from both her past and her present; avoiding questions about love, bodies, language, and the extents of all three. But her friends--the impish Maenads--refuse to just let her escape. The Shapes We Make With Our Bodies is a feminist, queer, maximalist piece--spanning caves, hills, courtrooms, and kitchens--about a woman torn by her desires, unwilling to bend to the needs of men, yet hesitant in the face of her wildness.
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