Skip to content
Home/ Ex Voto
Ex Voto

Ex Voto

No customer reviews yet ISBN 9781025649931

"Ex Voto" is a compelling study of the art and devotional history of the Sacro Monte, or Sacred Mountain, at Varallo-Sesia in northern Italy. Written by the noted author and critic Samuel Butler, the work serves as an impassioned defense and scholarly examination of the unique sanctuary's artistic treasures. Butler focuses his analysis on the lifelike terra-cotta sculptures and expansive frescoes housed within the mountain's numerous chapels, which depict dramatic scenes from the life of Christ.

With a keen eye for detail and a revolutionary critical perspective, Butler champions the work of artists such as Tabachetti and Gaudenzio Ferrari, arguing that their contributions to the Sacro Monte represent a pinnacle of artistic realism. The narrative blends the insights of art history with the evocative prose of a travelogue, capturing both the physical beauty of the Piedmont region and the spiritual atmosphere of the pilgrimage site. Butler's primary objective is to elevate these works in the public consciousness, positioning them as masterpieces of human expression that rival the more famous galleries of Europe.

This work remains a vital text for those interested in Italian art history, religious iconography, and the intellectual history of the nineteenth century. "Ex Voto" offers a profound meditation on the nature of art and the enduring power of site-specific religious installations.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you may see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.

This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.

As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

About the author

Product details

Pub dateFeb 14, 2026
ISBN-101025649931
ISBN-139781025649931
LanguageEnglish
Last updated 2026-09-07 21:17
$22.43 $23.95 6% off
You save $1.52 · list price $23.95
In stock — ships in 24 hours with free tracking
Delivery by Tuesday, October 20, 2026
Qty
Sign in to Add to Saved list
Free delivery on orders over $35.
15-day returns. Any reason.
Secure checkout. We never store card details.

Readers who bought this also bought

More from History - Renaissance
See all
Painting in Britain 1500-1630: Production, Influences and Patronage
<p>This book is the first major essay volume in over a decade to focus on Tudor and Jacobean painting. Its interdisciplinary approach reflects the dynamic state of research in the field, utilising a range of methodologies in order to answer key art historical questions about the production and consumption of art in Britain in the 16th and early 17th century. <br> The introduction sets the tone for the interdisciplinary approach that is taken throughout the volume .It brings together a discussion of the context for the production of painted images in Tudor and Jacobean England with a selection of technical images of twenty paintings that span the period and demonstrate the information that can be gained from material analysis of paintings.<br> In further chapters, leading exponents of painting conservation and conservation science discuss the material practices of the period, using and explaining a range of analytical techniques, such as infrared reflectography and dendochronology. Questions of authorship and aspects of workshop practice are also discussed. As well as looking at specific artists and their studios, the authors take a broader view in order to capture information about the range of artistic production during the period, stretching from the production of medieval rood screens to the position of heraldic painters. The final section of the book addresses artistic patronage, from the commissioning of works by kings and courtiers, to the regional networks that developed during the period and the influence of a developing antiquarianism on the market for paintings.<br> The book is lavishly illustrated in colour throughout, with reproductions of whole paintings and many details selected to amplify the text. It will be an essential source for those working in the fields of art history, conservation and material science, and of interest to lovers of British Tudor and Stuart painting.</p>
$289.05