History of American Sculpture

"The History of American Sculpture" is a definitive and comprehensive survey of the evolution of three-dimensional art in the United States. Written by the renowned sculptor and educator Lorado Taft, this seminal work traces the development of American plastic arts from their beginnings in the colonial era through the flourishing movements of the 19th and early 20th centuries.

Taft provides detailed analysis of the lives and techniques of pioneering artists, exploring how national identity and European influences shaped the American aesthetic. The book examines a wide range of subjects, from public monuments and portrait busts to delicate neoclassical figures. As both a practitioner and a scholar, Taft offers unique insights into the technical challenges and creative triumphs of his predecessors and contemporaries.

Rich in historical context and artistic critique, "The History of American Sculpture" remains an essential resource for art historians, students, and anyone interested in the cultural heritage of America. It serves as a vital record of the masters who carved and cast the visual landscape of a nation, preserving the legacy of an art form that stands as a testament to American ingenuity and spirit.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you may see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.

This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.

As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.