Skip to content
Home/ Renaissance Fancies and Studies: Being a Sequel to Euphorion (Cram Edition)
Renaissance Fancies and Studies: Being a Sequel to Euphorion (Cram Edition)
Save Ask us
Published
Jul 1, 2026
ISBN-13
9781026184356

Renaissance Fancies and Studies: Being a Sequel to Euphorion (Cram Edition)

No customer reviews yet ISBN 9781026184356

This XpressRead Cram Edition of Renaissance Fancies and Studies pairs the complete original text with carefully prepared study materials, designed for deeper engagement with this classic.

Explore the vibrant world of the Italian Renaissance through the insightful essays of Violet Paget in "Renaissance Fancies and Studies," a sequel to her acclaimed "Euphorion." Delve into the heart of Renaissance art and history with Paget's keen observations and critical analysis. This meticulously prepared republication offers a window into the artistic movements and historical context of Italy, examining Italian art with a discerning eye. Paget's work stands as a testament to the enduring power and influence of the Renaissance, making it essential reading for anyone interested in this transformative period. Experience the Italian Renaissance through the lens of a thoughtful and engaging art critic.

Product details

Pub dateJul 1, 2026
ISBN-101026184355
ISBN-139781026184356
LanguageEnglish
Last updated 2026-09-19 02:31
$21.51 $22.95 6% off
You save $1.44 · list price $22.95
In stock — ships in 24 hours with free tracking
Delivery by Tuesday, October 27, 2026
Qty
Sign in to Add to Saved list
Free delivery on orders over $35.
15-day returns. Any reason.
Secure checkout. We never store card details.

Readers who bought this also bought

More from History - Renaissance
See all
Painting in Britain 1500-1630: Production, Influences and Patronage
<p>This book is the first major essay volume in over a decade to focus on Tudor and Jacobean painting. Its interdisciplinary approach reflects the dynamic state of research in the field, utilising a range of methodologies in order to answer key art historical questions about the production and consumption of art in Britain in the 16th and early 17th century. <br> The introduction sets the tone for the interdisciplinary approach that is taken throughout the volume .It brings together a discussion of the context for the production of painted images in Tudor and Jacobean England with a selection of technical images of twenty paintings that span the period and demonstrate the information that can be gained from material analysis of paintings.<br> In further chapters, leading exponents of painting conservation and conservation science discuss the material practices of the period, using and explaining a range of analytical techniques, such as infrared reflectography and dendochronology. Questions of authorship and aspects of workshop practice are also discussed. As well as looking at specific artists and their studios, the authors take a broader view in order to capture information about the range of artistic production during the period, stretching from the production of medieval rood screens to the position of heraldic painters. The final section of the book addresses artistic patronage, from the commissioning of works by kings and courtiers, to the regional networks that developed during the period and the influence of a developing antiquarianism on the market for paintings.<br> The book is lavishly illustrated in colour throughout, with reproductions of whole paintings and many details selected to amplify the text. It will be an essential source for those working in the fields of art history, conservation and material science, and of interest to lovers of British Tudor and Stuart painting.</p>
$289.05