Skip to content
Home/ Uses of Excess in Visual and Material Culture, 1600-2010
Uses of Excess in Visual and Material Culture, 1600-2010
Save Ask us

Uses of Excess in Visual and Material Culture, 1600-2010

No customer reviews yet ISBN 9781138548077 Routledge
Published
Apr 2018
Language
English
Size
9.69 × 0.74 × 6.85 in
$73.06
In stock
Most orders arrive within 3 weeks. Shipping policy
Qty
Sign in to Add to Saved list
Free delivery over $35 · 15-day returns

Condition

Brand New

An unread, unused copy: no writing or highlighting, and no missing or damaged pages. Every book we sell is brand new, including our lowest-priced titles.

About this book

Although the idea of excess has often been used to degrade, many of the essays in this collection demonstrate how it has also been used as a strategy for self-fashioning and empowerment, particularly by women and queer subjects. This volume examines a range of material - including ceramics, paintings, caricatures, interior design and theatrical performances - in various global contexts. Each case study sheds new light on how excess has been perceived and constructed, revealing how beliefs about excess have changed over time.

Specifications

PublisherRoutledge
PublishedApr 25, 2018
ISBN-101138548073
ISBN-139781138548077
LanguageEnglish
Dimensions9.69 × 0.74 × 6.85 in
Weight1 lb

Buying from Saanjhi

  • Ships from the USA. Delivery to US addresses only.
  • Free delivery on orders over $35.
  • 15-day returns. Unless we send the wrong book or it arrives damaged, you pay return shipping and a 15% restocking fee.
  • Secure checkout. We never store card details.

Readers who bought this also bought

More from History - Renaissance
See all
Marks of Opulence: The Why, When and Where of Western Art 1000-1914
Platt, Colin
$9.17
Mona Lisa: The History of the World's Most Famous Painting (Revised)
Sassoon, Donald
$9.17
On Painting
Alberti, Leon Battista
$12.09
Eccentric Renaissance: El Greco, Michael Damaskenos, Georgios Klontzas
Barber, Charles
$104.54
Northern Renaissance Art
Nash, Susie
$24.55
Painting in Britain 1500-1630: Production, Influences and Patronage
<p>This book is the first major essay volume in over a decade to focus on Tudor and Jacobean painting. Its interdisciplinary approach reflects the dynamic state of research in the field, utilising a range of methodologies in order to answer key art historical questions about the production and consumption of art in Britain in the 16th and early 17th century. <br> The introduction sets the tone for the interdisciplinary approach that is taken throughout the volume .It brings together a discussion of the context for the production of painted images in Tudor and Jacobean England with a selection of technical images of twenty paintings that span the period and demonstrate the information that can be gained from material analysis of paintings.<br> In further chapters, leading exponents of painting conservation and conservation science discuss the material practices of the period, using and explaining a range of analytical techniques, such as infrared reflectography and dendochronology. Questions of authorship and aspects of workshop practice are also discussed. As well as looking at specific artists and their studios, the authors take a broader view in order to capture information about the range of artistic production during the period, stretching from the production of medieval rood screens to the position of heraldic painters. The final section of the book addresses artistic patronage, from the commissioning of works by kings and courtiers, to the regional networks that developed during the period and the influence of a developing antiquarianism on the market for paintings.<br> The book is lavishly illustrated in colour throughout, with reproductions of whole paintings and many details selected to amplify the text. It will be an essential source for those working in the fields of art history, conservation and material science, and of interest to lovers of British Tudor and Stuart painting.</p>
$289.05