Skip to content
Home/ Rereading Darwin's Origin of Species: The Hesitations of an Evolutionist
Rereading Darwin's Origin of Species: The Hesitations of an Evolutionist

Rereading Darwin's Origin of Species: The Hesitations of an Evolutionist

No customer reviews yet ISBN 9781350259768 Bloomsbury Academic

Widely seen as evolution's founding figure, Charles Darwin is taken by many evolutionists to be the first to propose a truly modern theory of evolution. Darwin's greatness, however, has obscured the man and his work, at times even to the point of distortion.

Accessibly written, this book presents a more nuanced picture and invites us to discover some neglected ambiguities and contradictions in Darwin's masterwork. Delisle and Tierney show Darwin to be a man who struggled to reconcile the received wisdom of an unchanging natural world with his new ideas about evolution. Arguing that Darwin was unable to break free entirely from his contemporaries' more traditional outlook, they show his theory to be a fascinating compromise between old and new.

Rediscovering this other Darwin - and this other side of On the Origin of Species - helps shed new light on the immensity of the task that lay before 19th century scholars, as well as their ultimate achievements.

About the author

Product details

BrandBloomsbury Academic
Pub dateAug 24, 2023
ISBN-101350259764
ISBN-139781350259768
Paperback172.0 pages
LanguageEnglish
Dimensions9.21 × 0.37 × 6.14 in
Weight1 lb
Last updated 2026-09-15 17:03
$47.60
In stock — ships in 24 hours with free tracking
Delivery by Tuesday, October 6, 2026
Qty
Sign in to Add to Saved list
Free delivery on orders over $35.
15-day returns. Any reason.
Secure checkout. We never store card details.

Readers who bought this also bought

More from Modern - 19th Century
See all
Oxford Handbook of Decadence
The meaning of <em>decadence</em> varies with context, depending on what (or who) is understood to have declined, decayed, or degenerated. These negative meanings are familiar from history (the decline and fall of Rome), sociology (the decay of communities), morality (the degeneration of values), and more, including such popular conceptions of decadence as excess and corruption. At the same time, all of this negative decadence has found positive cultural expression, principally in literature, through the work of such celebrated nineteenth-century decadents as Charles Baudelaire, Oscar Wilde, and many others. This volume takes the study of decadence beyond these canonical literary works to explore the phenomenon in broader historical, geographical, and cultural contexts. <p/>In thirty-five chapters by esteemed scholars from a range of disciplines, the <em>Oxford Handbook of Decadence</em> addresses different critical periods, such as classical antiquity, various ages of empire, the interwar era in the twentieth century, and contemporary times, as well as key places--France, Belgium, Britain, Italy, Germany, the Nordic nations, Russia and Ukraine, the Ottoman Empire, and Japan--and such genres as the novel, the short story, drama, the essay, prose poetry, and film. The volume also considers decadence more broadly as a culture not limited to literature by tracing its manifestations in such material forms as book design, fashion, interior decoration, and architecture, as well as through the experiential register of the senses: decadent vision, sound, smell, taste, and touch are all reflected, respectively, in painting, music, perfume, cuisine, and feeling. Finally, the chapters explore the theoretical resonance of decadence in such fields as theology, science, ecology, politics, psychoanalysis, and philosophy. By illuminating the various ways decadence can be construed, the Handbook offers an in-depth and original exploration into the paradox of decadence: a culture that draws its creative energy from the idea of decline.
$247.19