Skip to content
Home/ Islamic Objects in Seventeenth-Century Italy: Ferdinando Cospi, the Bologna Collection and the Medic
Islamic Objects in Seventeenth-Century Italy: Ferdinando Cospi, the Bologna Collection and the Medic

Islamic Objects in Seventeenth-Century Italy: Ferdinando Cospi, the Bologna Collection and the Medic

No customer reviews yet ISBN 9781399543095

This book reassesses the idea that Islamic objects in seventeenth-century Italy were considered mere curiosities, sparking no cultural or historical interest. It focuses on Italy's largest collection of Islamic artefacts of the time, assembled by the Medici agent and Bolognese nobleman Ferdinando Cospi in his public gallery: the Cospi Museum. Through an extensive investigation of inventories, letters, and archival documents, the book follows the objects through the various paths which took them from the eastern shores of the Mediterranean, through North African cities, to Livorno, Florence and, finally, Bologna. These paths reveal the presence of a network of enslaved Turks, Arab scholars, Egyptian fishermen and Armenian merchants, all responsible for importing both the items and their stories, biographies and anecdotes to Italy. The book thus brings forward to the seventeenth century a phenomenon of cultural inquisition that was thought to start only a century later.

About the author

Product details

Pub dateOct 31, 2025
ISBN-101399543091
ISBN-139781399543095
LanguageEnglish
Last updated 2026-09-29 04:48
$252.67
Only 1 left in stock — order soon
Delivery by Monday, October 12, 2026
Qty
Sign in to Add to Saved list
Free delivery on orders over $35.
15-day returns. Any reason.
Secure checkout. We never store card details.

Readers who bought this also bought

More from History - Renaissance
See all
Painting in Britain 1500-1630: Production, Influences and Patronage
<p>This book is the first major essay volume in over a decade to focus on Tudor and Jacobean painting. Its interdisciplinary approach reflects the dynamic state of research in the field, utilising a range of methodologies in order to answer key art historical questions about the production and consumption of art in Britain in the 16th and early 17th century. <br> The introduction sets the tone for the interdisciplinary approach that is taken throughout the volume .It brings together a discussion of the context for the production of painted images in Tudor and Jacobean England with a selection of technical images of twenty paintings that span the period and demonstrate the information that can be gained from material analysis of paintings.<br> In further chapters, leading exponents of painting conservation and conservation science discuss the material practices of the period, using and explaining a range of analytical techniques, such as infrared reflectography and dendochronology. Questions of authorship and aspects of workshop practice are also discussed. As well as looking at specific artists and their studios, the authors take a broader view in order to capture information about the range of artistic production during the period, stretching from the production of medieval rood screens to the position of heraldic painters. The final section of the book addresses artistic patronage, from the commissioning of works by kings and courtiers, to the regional networks that developed during the period and the influence of a developing antiquarianism on the market for paintings.<br> The book is lavishly illustrated in colour throughout, with reproductions of whole paintings and many details selected to amplify the text. It will be an essential source for those working in the fields of art history, conservation and material science, and of interest to lovers of British Tudor and Stuart painting.</p>
$289.05