Proposing a new approach to Jamesian aesthetics, Daniel Hannah examines the complicated relationship between Henry James's impressionism and his handling of 'the public.' In readings of 'The Art of Fiction, ' What Maisie Knew, The Wings of the Dove and The American Scene, among other works, Hannah shows James continually returning to the impression as a site for exploiting, resisting and re-imagining a perceived breakdown between the private and the public.
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