Skip to content
Home/ Euphorion: Being Studies of the Antique and the Mediaeval in the Renaissance
Euphorion: Being Studies of the Antique and the Mediaeval in the Renaissance

Euphorion: Being Studies of the Antique and the Mediaeval in the Renaissance

by Lee, Vernon
No customer reviews yet ISBN 9781432622015

Euphorion: Being Studies of the Antique and the Mediaeval in the Renaissance is a book written by Vernon Lee. It is a collection of essays that explore the influence of ancient Greek and Roman culture as well as medieval European culture on the Renaissance. The book is divided into three sections: ""The Antique in the Renaissance"", ""The Mediaeval in the Renaissance"", and ""The Renaissance"". Each section contains essays that examine various aspects of the cultural and artistic movements of the time, such as architecture, literature, and painting. Lee's writing is both informative and insightful, providing readers with a deeper understanding of the intellectual and artistic developments that shaped the Renaissance period. Euphorion is a must-read for anyone interested in the history of art, literature, and culture.1884. Contains Volumes One and Two. Contents: The Sacrifice; The Italy of the Elizabethan Dramatists; The Out-Door Poetry; Symmetria Prisca; The Portrait of Art; The School of Boiardo; Mediaeval Love; and Epilogue.This scarce antiquarian book is a facsimile reprint of the old original and may contain some imperfections such as library marks and notations. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions, that are true to their original work.

About the author

Product details

Pub dateApr 1, 2005
ISBN-101432622013
ISBN-139781432622015
LanguageEnglish
Last updated 2026-09-15 23:10
$51.08 $54.95 7% off
You save $3.87 · list price $54.95
In stock — ships in 24 hours with free tracking
Delivery by Thursday, October 15, 2026
Qty
Sign in to Add to Saved list
Free delivery on orders over $35.
15-day returns. Any reason.
Secure checkout. We never store card details.

Readers who bought this also bought

More from History - Renaissance
See all
Marks of Opulence: The Why, When and Where of Western Art 1000-1914
Platt, Colin
$9.17
Mona Lisa: The History of the World's Most Famous Painting (Revised)
Sassoon, Donald
$9.17
On Painting
Alberti, Leon Battista
$12.09
Eccentric Renaissance: El Greco, Michael Damaskenos, Georgios Klontzas
Barber, Charles
$104.54
Northern Renaissance Art
Nash, Susie
$24.55
Painting in Britain 1500-1630: Production, Influences and Patronage
<p>This book is the first major essay volume in over a decade to focus on Tudor and Jacobean painting. Its interdisciplinary approach reflects the dynamic state of research in the field, utilising a range of methodologies in order to answer key art historical questions about the production and consumption of art in Britain in the 16th and early 17th century. <br> The introduction sets the tone for the interdisciplinary approach that is taken throughout the volume .It brings together a discussion of the context for the production of painted images in Tudor and Jacobean England with a selection of technical images of twenty paintings that span the period and demonstrate the information that can be gained from material analysis of paintings.<br> In further chapters, leading exponents of painting conservation and conservation science discuss the material practices of the period, using and explaining a range of analytical techniques, such as infrared reflectography and dendochronology. Questions of authorship and aspects of workshop practice are also discussed. As well as looking at specific artists and their studios, the authors take a broader view in order to capture information about the range of artistic production during the period, stretching from the production of medieval rood screens to the position of heraldic painters. The final section of the book addresses artistic patronage, from the commissioning of works by kings and courtiers, to the regional networks that developed during the period and the influence of a developing antiquarianism on the market for paintings.<br> The book is lavishly illustrated in colour throughout, with reproductions of whole paintings and many details selected to amplify the text. It will be an essential source for those working in the fields of art history, conservation and material science, and of interest to lovers of British Tudor and Stuart painting.</p>
$289.05