Subtle in politics and exact in imagery, the poems of The Blue House range from agile haiku to cinematic prose. Social phenomena are observed in rich detail--a "dictator's bust" presiding over a train car of doomed passengers--and the collection is propelled by empathy and curiosity. Under Tranströmer's watchful eye, no subject is overlooked: Milij Balakirev, the Russian composer; Nils Dacke, the Swedish peasant who led a rebellion against the king; and him, the stranger who forgets his name by the roadside. From the personal to the political to the existential, Tranströmer's poems act as a telephoto lens, granting us reinvigorated access to the world we live in.