But when two young women--the strawberry blonde, blue-eyed Beth Tremblay and Jenny's own neighbor, Rachelle--disappear along Highway 16, only Beth's face and name are plastered on billboards and broadcasted over the air. Rachelle's daughters are carted off by the state, and Jenny takes it upon herself to investigate. After all, Jenny thinks, who else is looking for her pariah of a neighbor? Jenny stutters through police encounters, asks the people living on the Rez all the wrong questions and ultimately faces--alongside the reader--the complicated motive behind her "investigation."
With great awareness and care, Lauren Haddad's portrait of Jenny brilliantly exposes first our impulse to seek the myths--as opposed to the realities--of race, class, and gender oppression in rural communities, and the consequences when our concern for others is clouded by self-preoccupation. Gripping, unflinching, and rebellious, Fireweed begs the question: just how good are our good intentions?