Shadows in a Phantom Eye, Volume 4 (1917-1919): Attractions & Aberrations In The Moving Image 1872-1

Since the late 19th century, film has been the ultimate medium by which to express and illuminate the darker, wilder recesses of man's imagination. An alchemical convergence of magic lantern experiments and new photographic technology led to the production of the very first moving images, including visual captures of magic, mystery, violence, cruelty, crime, sex, nudity, devilry and death.

SHADOWS IN A PHANTOM EYE is an extensive and unprecedented 15-volume book series for those wishing to explore an alternative global history of the moving image in its inaugural decades - a history that reveals a wild, often disturbing and provocative world which includes Hollywood but also stretches far, far beyond.

SHADOWS IN A PHANTOM EYE Volume 4 reveals a flickering carnival of attractions and aberrations, from 1917 when Hollywood vamp star Theda Bara rose to the zenith of her fame in Fox's epic Cleopatra, to 1919 when German Expressionism produced an indelible cinematic masterpiece in the form of Robert Wiene's Cabinet Des Dr. Caligari.

This volume references well over 2,000 films from all countries and reproduces around 250 rare photographic images, posters and illustrations, many newly unearthed from international film archives and never before published.