Skip to content
Home/ Materiality: Making Spanish America
Materiality: Making Spanish America
Save Ask us
Publisher
Denver Art Museum
Published
Jul 6, 2021
ISBN-13
9781945483042

Materiality: Making Spanish America

No customer reviews yet ISBN 9781945483042 Denver Art Museum

Mayer Center Symposium XVIII, Readings in Latin American Studies
This volume collects the work of nine scholars who shared their research at the 2018 symposium presented by the Frederick and Jan Mayer Center for Ancient and Latin American Art at the Denver Art Museum. This international group of scholars assembled to explore the theme of materiality in the Americas. The chapters consider materiality from a wide variety of angles, including hagiographic martyr portraiture, arms and armor in Spanish America, religious sculpture, the interpretation of the tocapu in post conquest Peru, and collections assembled both in the Americas and of goods sent back to Europe.
Thomas B. F. Cummins (Harvard University) explores how tocapus were altered to coincide and intersect with European forms and objects after the Spanish invasion of Peru.
Emmanuel Ortega (University of Illinois Chicago) provides insights into the material world of Franciscan hagiographic portraiture.
Donna Pierce (independent scholar/formerly Denver Art Museum) focuses on the commercial exchange of Asian luxury goods at the northern border of the Spanish Empire.
Rafael Ramos Sosa (Universidad de Sevilla) considers the role of sculpture in the daily life of viceregal Lima.
María Paola Rodríguez Prada (Museo Nacional de Colombia) comments on the founding of the National Museum of Colombia in the 1820s, shortly after independence from Spain.
Olaya Sanfuentes (Pontificia Universidad Católica de Chile) presents a case study of Bishop Baltasar Jaime Martínez Compañon's index of Peruvian natural and cultural history.
Gabriela Siracusano (National Research Council, Argentina; Universidad Nacional de Tres de Febrero; and Universidad de Buenos Aires) examines the aesthetic parameters and material traditions of indigenous artists producing religious art.
Jonathan Tavares (Art Institute of Chicago) uses rare surviving objects and written historical accounts to present an overview of arms and armor in Spanish America.
Antonio Urquízar-Herrera (Universidad Nacional de Educación a Distancia, Madrid) considers the role that artifacts collected and sent to Spain by early explorers played in building an image of the Americas.

Product details

BrandDenver Art Museum
Pub dateJul 6, 2021
ISBN-101945483040
ISBN-139781945483042
LanguageEnglish
Dimensions10.9 × 0.6 × 8.5 in
Weight2 lb
Last updated 2026-10-19 00:08
$34.90
In stock — ships in 24 hours with free tracking
Delivery by Tuesday, October 27, 2026
Qty
Sign in to Add to Saved list
Free delivery on orders over $35.
15-day returns. Any reason.
Secure checkout. We never store card details.

Readers who bought this also bought

More from Caribbean & Latin American
See all
Americas Revealed: Collecting Colonial and Modern Latin American Art in the United States
<p>In <i>The Americas Revealed</i>, distinguished art historian and curator Edward J. Sullivan brings together a vibrant group of essays that explore the formation, in the United States, of public and private collections of art from the Spanish- and Portuguese-speaking Americas.</p><p>The contributors to this volume trace the major milestones and emerging approaches to collecting and presenting Spanish Colonial and modern Latin American art by museums, galleries, private collections, and corporations from the late nineteenth to the twenty-first century. In chronicling the roles played by determined collectors from New York to San Francisco, the essays examine a range of subjects from MoMA's mid-twentieth-century acquisition strategies to the growing taste on the West Coast for the work of Diego Rivera. They consider the impact of various political shifts on art collecting, from reactions against the "American exceptionalism" of the Monroe Doctrine to the aesthetic biases of government-sponsored art academies in Mexico, Rio de Janeiro, and Havana. The final three chapters focus on living collectors such as Roberta and Richard Huber, Patricia Phelps de Cisneros, and Estrellita B. Brodsky.</p><p>A thorough and definitive account of the changing course of private and public collections and their important connection to underlying political and cultural relations between the United States and Latin American countries, this volume gives a rare glimpse into the practice of collecting from the collectors' own point of view.</p><p>In addition to the editor, contributors to this volume are Miriam Margarita Basilio, Estrellita B. Brodsky, Vanessa K. Davidson, Anna Indych-López, Ronda Kasl, Gabriel Pérez-Barreiro, Berit Potter, Mari Carmen Ramírez, Joseph Rishel, Delia Solomons, and Suzanne Stratton-Pruitt.</p>
$32.63