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-this is the first critical study of black British women's writing to prioritise the analysis of staging and language, complementing the existing emphasis on socio-political commentary
-focuses on theatrical form, tracing how selected companies, practitioners and playwrights have creatively responded to racism and sexism
-builds on the pioneering monographs by Gabriele Griffin (2003) and Lynette Goddard (2007), heralding a timely shift towards examining and enjoying the depths of this rich field