Skip to content
Home/ Egyptian Gothic: 1884-1920
Egyptian Gothic: 1884-1920

Egyptian Gothic: 1884-1920

No customer reviews yet ISBN 9783031963964

The Egyptian Gothic consists of novels and short stories about ancient Egyptian mummies returning to life to seek retribution or romance as well as cursed object tales. Now mostly forgotten, from the 1880s through to the 1920s it was more popular than the vampire genre. This book is the first to examine the genre by using the frequent sensory descriptions within these texts to interrogate attitudes towards Empire. Its aims are twofold. Firstly, it demonstrates that despite their status as disposable popular fiction these texts are rich in sensory discourses that have thus far been unexamined. Secondly, reading these discourses of touch, sight, smell, sound and taste reveals new and intriguing ways in which Egypt is allowed to strike back against the British Empire. The book argues that the Egyptian Gothic does not support the domination of Empire, but instead presents a power dynamic in flux with the mummy fighting back against Western occupation. Egypt and its artefacts evoke simultaneous feelings of fear and desire, where those who meddle by invading tombs or stealing mummies are destroyed by Egyptian revenants.

About the author

Product details

Pub dateJul 14, 2026
ISBN-103031963962
ISBN-139783031963964
LanguageEnglish
Last updated 2026-08-18 11:04
$145.82
In stock soon — order now to reserve your copy
Delivery by Monday, October 19, 2026
Qty
Sign in to Add to Saved list
Free delivery on orders over $35.
15-day returns. Any reason.
Secure checkout. We never store card details.

Readers who bought this also bought

More from Modern - 19th Century
See all
Oxford Handbook of Decadence
The meaning of <em>decadence</em> varies with context, depending on what (or who) is understood to have declined, decayed, or degenerated. These negative meanings are familiar from history (the decline and fall of Rome), sociology (the decay of communities), morality (the degeneration of values), and more, including such popular conceptions of decadence as excess and corruption. At the same time, all of this negative decadence has found positive cultural expression, principally in literature, through the work of such celebrated nineteenth-century decadents as Charles Baudelaire, Oscar Wilde, and many others. This volume takes the study of decadence beyond these canonical literary works to explore the phenomenon in broader historical, geographical, and cultural contexts. <p/>In thirty-five chapters by esteemed scholars from a range of disciplines, the <em>Oxford Handbook of Decadence</em> addresses different critical periods, such as classical antiquity, various ages of empire, the interwar era in the twentieth century, and contemporary times, as well as key places--France, Belgium, Britain, Italy, Germany, the Nordic nations, Russia and Ukraine, the Ottoman Empire, and Japan--and such genres as the novel, the short story, drama, the essay, prose poetry, and film. The volume also considers decadence more broadly as a culture not limited to literature by tracing its manifestations in such material forms as book design, fashion, interior decoration, and architecture, as well as through the experiential register of the senses: decadent vision, sound, smell, taste, and touch are all reflected, respectively, in painting, music, perfume, cuisine, and feeling. Finally, the chapters explore the theoretical resonance of decadence in such fields as theology, science, ecology, politics, psychoanalysis, and philosophy. By illuminating the various ways decadence can be construed, the Handbook offers an in-depth and original exploration into the paradox of decadence: a culture that draws its creative energy from the idea of decline.
$247.19