Skip to content
Home/ Our Will to Live: The Terezín Music Critiques of Viktor Ullmann
Our Will to Live: The Terezín Music Critiques of Viktor Ullmann

Our Will to Live: The Terezín Music Critiques of Viktor Ullmann

No customer reviews yet ISBN 9783958299597 Steidl

Concert reviews, posters and ephemera from a Nazi concentration camp--a tribute to the defiant spirit of the creative will

"There are moments of excruciating beauty, there are heartrending stories, all reminding us that if we lose our humanity, we are nothing."
-- Yo-Yo Ma

In Terezín, a Nazi camp where 33,000 people died, imprisoned musicians and artists created a remarkable cultural community that persevered against all odds. Our Will to Live brings us into this astonishing world. It presents the first full translation of concert critiques written by accomplished musician, scholar--and Terezín prisoner--Viktor Ullmann (1898-1944). Ullmann describes Terezín performances by ensembles, youth choirs and solo artists including luminaries of European cabaret and opera, plus works by a generation of promising composers silenced too soon: Gideon Klein, Pavel Haas, Hans Krása and others.

Paired with Ullmann's critiques are more than 250 rarely seen concert posters, programs, portraits and scenes rendered by imprisoned artists; these are from a trove of hidden artworks recovered after liberation. Our Will to Live also offers an original collection of vintage and modern recordings performed by Terezín survivors and contemporary masters. Essays and annotations by scholar Mark Ludwig set the historical context, introduce the artists and deepen what we know of this extraordinary chapter in World War II history. Terezín survivors helped guide this project, the result of more than 30 years of research and writing. Shortly after Ullmann authored his final concert critique, Terezín's cultural community was decimated: nearly all the artists were murdered in Auschwitz.

Mark Ludwig is a Fulbright scholar of Terezín, a member of the Pamatník Terezín Advisory Board and director of the Terezin Music Foundation. He produces recordings, concerts and Holocaust and genocide education programs worldwide. Ludwig is a violist emeritus of the Boston Symphony Orchestra, adjunct professor of Holocaust music at Boston College and editor of the poetry anthology Liberation (2015).

About the author

Product details

BrandSteidl
Pub dateJan 11, 2022
ISBN-103958299598
ISBN-139783958299597
LanguageEnglish
Dimensions11 × 1.5 × 8.75 in
Weight3 lb
Last updated 2026-08-06 21:23
$31.49 $45.00 30% off
You save $13.51 · list price $45.00
In stock soon — order now to reserve your copy
Delivery by Monday, September 14, 2026
Qty
Sign in to Add to Saved list
Free delivery on orders over $35.
15-day returns. Any reason.
Secure checkout. We never store card details.

Readers who bought this also bought

More from Collections, Catalogs, Exhibitions - Group Shows
See all
Climates. Habitats. Environments.
<b>Artists and writers go beyond disciplinary boundaries and linear histories to address the fight for environmental justice, uniting the Asia-Pacific vantage point with international discourse.</b> <p/>Modeling the curatorial as a method for uniting cultural production and science, <i>Climates. Habitats. Environments.</i> weaves together image and text to address the global climate crisis. Through exhibitions, artworks, and essays, artists and writers transcend disciplinary boundaries and linear histories to bring their knowledge and experience to bear on the fight for environmental justice. In doing so, they draw on the rich cultural heritage of the Asia-Pacific, in conversation with international discourse, to demonstrate transdisciplinary solution-seeking. <p/>Experimental in form as well as in method, <i>Climates. Habitats. Environments.</i> features an inventive book design by mono.studio that puts word and image on equal footing, offering a multiplicity of media, interpretations, and manifestations of interdisciplinary research. For example, botanist Matthew Hall draws on Ovid's <i>Metamorphoses</i> to discuss human-plant interpenetration&#x3b; curator and writer Venus Lau considers how spectrality consumes--and is consumed--in animation and film, literature, music, and cuisine&#x3b; and critical theorist and filmmaker Elizabeth Povinelli proposes "Water Sense" as a geontological approach to "the question of our connected and differentiated existence," informed by the "ancestral catastrophe of colonialism." Artists excavate the natural and cultural DNA of indigo, lacquer, rattan, and mulberry&#x3b; works at the intersection of art, design, and architecture explore "The Posthuman City"&#x3b; an ongoing research project investigates the ecological urgencies of Pacific archipelagos. The works of art, the projects, and the majority of the texts featured in the book were commissioned by NTU Centre for Contemporary Art Singapore. <p/>Copublished with NTU Centre for Contemporary Art Singapore
$41.88