Everyone Has Sight: But It Takes A Photographer To See

After my honorable discharge from the Army, I found myself working for a company that manufactured stereo receivers and speakers. As a traffic manager, my days were filled with routine tasks, and after three years, I grew increasingly restless. Seeking guidance, I visited one of my old high school teachers, Mr. Artry. We reminisced about the past and discussed the present. I confided in him, expressing my boredom with life. His question caught me off guard: "Besides chasing girls, what do you truly enjoy?" The answer was clear: photography. Mr. Artry encouraged me to pursue my passion and recommended enrolling in photography classes at Columbia College. So, I registered for night classes, eager to explore this newfound path. Over the next two years, I immersed myself in serious study. Armed with my camera, I ventured into the vibrant world of photography. Soon, I was freelancing for international music publications, capturing the energy of concerts in cities like Chicago, New York, and California. The photographs in this book span decades-the 1970s, 80s, and 90s. Each frame holds a story, frozen in time. And now, in 2024, I've transitioned from still images to moving ones. I produce and direct feature films, weaving narratives through the lens. Through it all, I've come to believe that everyone possesses sight, but it takes a photographer's keen eye to truly see-the interplay of light and shadow, the fleeting expressions, and the beauty hidden in ordinary moments.